Download PDF Mars by 1980: The Story of Electronic Music

Mars by 1980: The Story of Electronic Music by David Stubbs

• Mars by 1980: The Story of Electronic Music
• David Stubbs
• Page: 608
• Format: pdf, ePub, mobi, fb2
• ISBN: 9780571323982
• Publisher: Faber and Faber

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Free computer pdf ebook download Mars by 1980: The Story of Electronic Music by David Stubbs (English literature)

Mars by 1980: The Story of Electronic Music by David Stubbs Electronic music is now ubiquitous, from mainstream pop hits to the furthest reaches of the avant garde. But how did we get here? In Mars by 1980, David Stubbs charts the evolution of synthesised tones, from the earliest mechanical experiments in the late nineteenth century, through the musique concrete of the Futurists and radical composers such as Pierre Schaeffer and Karl Stockhausen, to the gradual absorption of electronic instrumentation into the mainstream, be it through the BBC Radiophonic Workshop, grandiose prog rock or the DIY approach of electronica, house and techno. Stubbs tells a tale of mavericks and future dreamers, malfunctioning devices and sonic mayhem. But above all, he describes an essential story of authenticity: is this music? Mars by 1980 is the definitive account that answers this question.

Toute l'histoire de la musique électronique dans un nouvel ouvrage
L'auteur et journaliste David Stubbs a annoncé la parution d'un nouvel ouvrage intitulé Mars by 1980 : The Story Of Electronic Music. Mars by 1980: The Story of Electronic Music - Google Books Result
David Stubbs - ‎2018 - Music Mars by 1980 – STEREOKLANG
Recent Posts. Google's new AI-powered synthesizer in action – NSynth Super · The evolution of electronic music – Mars by 1980 · Cakewalk  Mars By 1980: The Story Of Electronic Music - The Wire
Author David Stubbs in conversation with Cabaret Voltaire cofounder Stephen Mallinder about the former's book chronicling the history of electronic music. Mars By 1980: The Story of Electronic Music | The Crack Magazine
Composers such as Edgard Varèse whose chamber and orchestral works were ' electric' in nature before there was even such a thing as electronic music.

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